This 2019 series stems from a fascination with making line from objects beyond the pen or brush.
Inspired by a retro-exhibition at the 2017 Venice Biennale of the French artist Raymond Hains. His collection of torn posters and the graphic play he developed with prints has been a great influence on my work.
I have begun to explore materiality and language from “torn paper” found on street walls, repurposed and recycled into a new life and function.
